Making
The pass that brings the piece into shape — building material up where there is none, closing a bezel, bringing a frame together so it holds its own form.
Three jobs, one machine, one position on the bench. Making, cutting and welding are named here so there is no guessing: those are the three.
Making, cutting and welding — the three of them are not three machines standing next to each other. They are three faces of the same machine.
What this is
A benchtop machine with a fiber laser source, built in our own factory. It sits on a work surface, not on a floor stand, and it is the machine the whole piece goes through.
The piece stops travelling. It does not go to one place to be formed, a second place to be cut apart, and a third place to be closed — the three passes reach it where it already sits.
Request a quote for this machineThree passes on one body. Whatever the first pass lined up is still lined up when the last one runs.
The three passes land on the same body. Because none of them takes the piece somewhere else, the reference the first pass worked to is the reference the last pass still has. Nothing in between has to be found again by eye.
The pass that brings the piece into shape — building material up where there is none, closing a bezel, bringing a frame together so it holds its own form.
The pass that separates. Parting a section off, opening a piece up, freeing it from what it was attached to, leaving the edge the next pass will work to.
The pass that closes what the other two produced — the seam between two edges that were just parted, the joint on a body that was just formed.
You are not choosing which of the three to keep on the bench this week. All three are there, on the same body, in whatever order the piece needs them.
Today a piece reaches three separate places before it is finished. The question that raises is not how big each one is, but how many there are.
For the job to be takeable, all three places have to be there at once. Lose one and the work does not slow down — it stops at whichever pass that place was carrying, with the piece half finished.
So what you can take in is set by the weakest of the three, or by the one you control least: the pass that lives on someone else's floor, or on the thing you only pull out when there is no way around it. The other two do not get more capable because that one is the problem.
And while the job waits on that one place, the other two are still holding their positions. They occupy whether they are running or not.
Three positions become one. That is the whole change here — the count, not the millimetres.
Each line below, and what it actually tells you.
The three faces share one body, which means they also share one power class.
The one they share is the smallest amount of power we build a machine around.
It is built around jewelry-scale work and the small precision parts that behave the same way: pieces that sit in the hand rather than get lifted onto a table, seams that run a short distance, sections thin enough that there is nowhere for heat to go, joints worked under magnification because that is the only way to see them.
Inside that range the machine is whole. The same body that forms a piece is the one that parts it and closes it, at the size the piece actually is. Work that lives outside that range belongs on a different machine. The three passes it carries, the size of the body and the power class are not three separate decisions — they are three faces of one decision, and that decision was made about a class of work rather than about a specification sheet. Which pieces fall inside that class is a question about a specific piece. Working that out is a separate page, and it happens before any of this matters.
A free weld sample evaluation moves that question out of what is claimed and into something that can be checked.
It is the one answer to that question that does not have to be taken on trust: the machine and a real joint, rather than a description of a class of work.
Free weld sample evaluationThe body is fixed — nothing about it changes between here and your bench. What is not fixed is what your bench needs, and that only comes from your side.
What the body does is settled. What still has to be written down is the configuration your work calls for, how many, and where they are going — that is what a quote gets built against. If the body is right but you are still weighing it against the other three, they are set out together elsewhere.
Request a quote with your configuration and quantitySome of what people ask comes before there is a body standing on any bench: a single seam, one thing that has to be known about it, and no machine chosen yet. That does not need a quote behind it — it needs an answer.
Ask about one seam before choosing a machine